Criticality is a verb, an action towards the ends of excavating
Processing information using observation, discernment, synthesis, analysis, and critical thinking as ways to draw conclusions and make good determinations
Hey everyone, I hope you are doing well as we are fully entrenched in mid-winter, and I hope you’re all finding ways to stay warm and cozy in community. This essay begins our conversation about criticality, and how to move forward in discernment about the information we consume which, if you’re anything like me, just continues to increase over time as we have more and more access to different platforms, voices, and avenues to learn from. Let us begin!
Criticality is a way of processing information that I distinguish from criticism or critique, in that it’s not about drawing a conclusive analysis as much as it’s about looking at things in a critical way. To be critical is to exercise judgment, discernment, inquiry, and objectivity. Criticality opens up the ability to read or view something and go beyond the surface of what’s being said to peel back the layers and look deeper at the material. What sort of questions can be asked of the material and its author? We don’t—or we shouldn’t—do this to necessarily refute the author, prove them wrong, or catch them in some kind of “gotcha”; it’s not a spiteful endeavor. Especially because in the end after asking these questions and disassembling them, you may find that you agree. The important thing is not the agreement or the disagreement. It’s the disassembly.
So to be critical doesn’t mean to be disparaging, dismissive, or disbelieving. What it means is that when exercising criticality, we’re practicing healthy skepticism, not taking things for face value, seeking more than one or even two or three sources for information, and drawing conclusions based on multiple streams of evidence—synthesizing. It means asking how this information came about, and where it came from, and in which context it appears, and what it’s overall objective is. It means exercising caution before engaging. It means analyzing the situation, breaking down language and the way it's used. Criticality is a useful tool for identifying insidious and harmful rhetoric and even propaganda in our communities, from government entities to leftist organizations to white supremacist ideology. It can be applied to oneself, too—in drawing conclusions, making claims, or otherwise exercising judgment or flexing an opinion; we might turn criticality inward to ask these same questions of ourselves, to employ the same lenses of examination and analysis to ourselves; to push ourselves beyond the initial appearance, treatment, and statement to dig deeper below the layers. We are peeling back the strata and substrata to understand how the soil is formed, as well as how it is nurtured. Criticality, critical thinking, discernment, and inquiry—these are the tools we use to excavate.
To note: I don’t personally believe there is such a thing as true objectivity. Our understanding of objectivity is going to be consciously and unconsciously shaped by what we've learned, and the biases we've formed about how information is given and received. I think it's fair to say that we can receive and evaluate information without assigning a value judgment or any judgements too hastily, to gather multiple streams of information first before drawing conclusions. But that is the closest I think we can get.
Overall, I think exercising criticality means we don’t begin reading with the belief that what is being read is going to be correct, true, or even right; let alone agreeable, factual, or aligned with our viewpoints. At best it might, at worst it won't; and, at the same time, I don’t think it should mean reading with the belief that it’s wrong or that we’ll disagree. I hope this isn’t confusing. What I’m trying to get across I guess, is to resist forming preconceived notions. So I'd argue what might be truly most beneficial is if it's something we have to bring nuance to, that's a little complicated and messy, not binary. In fact, when things create an explicitly binary positionality, I’d argue that’s an immediate sign that we need to pay attention.
So maybe you’re wondering, why did I devote a whole month to this topic, and what is this about? Well, the word “criticality” itself does present a question, and so I have to own up to the uncommon nature of this word as being a very specifically located vernacular. And every field has its own specific language right—but philosophy also uses this word, the way the arts do. This is because specificity must always be continually identified and applied. So the way I see it is, the word criticality denotes an action that is different from critique, criticism, or even analysis on their own, to sort of combine the actions of all of these practices and methods of evaluation and the discernment of information. It’s really another way of saying critical thinking, but critical thinking that not only intends to make a decision based on assessing information, but also seeks to identify nuance, without necessarily requiring the finality of an answer—to me, the more generative work is in the expansiveness of identifying questions, though it is also true that the lack of definitive answers makes people the most uncomfortable. But I’d argue that is when and where the real work begins. So criticality, as a practice of critical thinking, establishes a framework that continually builds upon itself to be applied across a broad range of instances.
So for example, let me use an analogy that just came to mind. When I was a kid, I wanted to understand the insides of an analog alarm clock—you know, the kind that we see in really old cartoons with the two bells on top and a round face. I took it apart, inspected each part and its neighbor to see how they fit and worked together. I wondered if there were any parts the machine could do without or parts that were critically necessary for it to function, and then I put it back together. Not only did I learn about that clock, but a lot about timepieces in general, as well as the function and characteristics of machinery, to some degree.
So, the analogy here works because once you know how break down something like a newspaper article, a paper, or any kind of text to understand the parts of it that make up a whole—which is why I included George Orwell’s Politics and the English Language in the reading list—you understand the inner workings of a piece and how to put it all back together; and then you can apply that to anything else you read. My interest in this is how we might break down a text to see all of the different pieces of how it works, what its rhetoric is and does, what its claims are and whether or not they’re substantiated, how it applies its defenses. (The worksheet provided for the seminar course kind of shows you a bit of this process, by using question prompts like this) So we apply criticality to determine if the information is believable and what's convincing about it or suspicious about it; do we agree or disagree; you know, is this writing actually saying anything at all or is it just fluff, and full of words that don’t convey any ideas at all?
This is all criticality. And it's different from criticism in the sense that while it is an interrogation to see what fails or what succeeds, the goal is not necessarily—no, the goal is not—to engage the author or the audience in a debate about this or motivate the author to apply the criticism in some way, or influence an audience to think some way about it. Criticality is a tool we’re using largely for ourselves, to use our discernment and make determinations about the information we receive to draw our own conclusions.
As always, I consider this a conversation with you, not a lecture at you! So let’s take it to the Discord, either in the topic of the month channel, or the criticality channel. And tell me how your own criticality experiment is going—what’s working for you, what’s not working for you? What have you observed in this practice, so far?
Further reading for those interested:
Claire Cain Miller, Adam Playford, Larry Buchanan and Aaron Krolik, Did a Fourth Grader Write This? Or the New Chatbot? The New York Times, December 2022
Doreen St. Félix, The “Radical Edits” of Alexandra Bell, The New Yorker, 2017
George Orwell, The Politics of the English Language, Horizon Magazine, 1946
James Morris,Simulacra in the Age of Social Media: Baudrillard as the Prophet of Fake News, Journal of Communication Inquiry, 45(4), 319–336, 2021